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Oil Paintings Come From United Kingdom
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POTTER, Paulus
Dutch Baroque Era Painter, 1625-1654 Son of Pieter Potter. He was related through his mother, Aechtie Pouwels (d 1636), to the wealthy and powerful von Egmont and Semeyns families, who held important offices in Enkhuizen and at the court in The Hague. He worked in his father's studio in Amsterdam during the 1630s and, like him, painted history subjects that show the strong influence of Claes Moeyaert, with whom Paulus may also have studied. In the painting Abraham Returning from Canaan he adapted the landscape setting from an etching by Moses van Uyttenbroeck and the figures from works by Moeyaert from over ten years earlier. Significantly, however, he redistributed the numerous animals and figures that Moeyaert had aligned evenly across the frontal plane; Potter placed them to one side, permitting a view into the deep distance where other animals can be seen. Potter followed his father more than Moeyaert in searching for ways to integrate his figures with the landscape,

 

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POTTER, Paulus Four Bulls oil painting

Painting ID::  30579

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POTTER, Paulus
Four Bulls
mk68 Oil on wood Turin,Sabauda Gallery 1649 Netherlands
   
   
     

 

 

POTTER, Paulus Four Bull oil painting

Painting ID::  30938

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POTTER, Paulus
Four Bull
mk68 1649
   
   
     

 

 

POTTER, Paulus Young Bull oil painting

Painting ID::  31371

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POTTER, Paulus
Young Bull
nn07 1647 Oil on canvas, 236 x 339 cm Mauritshuis, The Hague
   
   
     

 

 

POTTER, Paulus Peasant Family with Animals oil painting

Painting ID::  33725

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POTTER, Paulus
Peasant Family with Animals
mk86 c1646 Oil on panel 37.1x29.5cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
   
   
     

 

 

POTTER, Paulus Three Cows in a Pasture oil painting

Painting ID::  40474

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POTTER, Paulus
Three Cows in a Pasture
mk156 1648 Oil on canvs 23.2x29.5cm
   
   
     

 

 

POTTER, Paulus Young Bull oil painting

Painting ID::  40475

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POTTER, Paulus
Young Bull
mk156 1647 Oil on canvas 236x339cm
   
   
     

 

 

POTTER, Paulus The Farm oil painting

Painting ID::  41044

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POTTER, Paulus
The Farm
mk159 1649 Oil on panel 81x115.5cm
   
   
     

 

 

POTTER, Paulus A Landscape with Cows,sheep and horses by a Barn oil painting

Painting ID::  43175

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POTTER, Paulus
A Landscape with Cows,sheep and horses by a Barn
mk170 1651 Oil on
   
   
     

 

 

POTTER, Paulus A geschecktes horse oil painting

Painting ID::  45902

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POTTER, Paulus
A geschecktes horse
mk178 1653 oils on linen 60.5x41cm
   
   
     

 

 

POTTER, Paulus the bull oil painting

Painting ID::  56077

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POTTER, Paulus
the bull
1647,oil on canvas,92.75x113.375 in,235.5x339 cm,mauritshuis,the hague,netherlands
   
   
     

 

 

POTTER, Paulus bull oil painting

Painting ID::  74302

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POTTER, Paulus
bull
Date 1647 Medium Oil on canvas Dimensions 235.5 X 339 cm (92.72 X 133.46 in) cyf
   
   
     

 

 

POTTER, Paulus Hirtenjunge und Hirtenmadchen oil painting

Painting ID::  81155

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POTTER, Paulus
Hirtenjunge und Hirtenmadchen
1650(1650) Medium Oil on panel Dimensions 39 x 59,8 cm cyf
   
   
     

 

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POTTER, Paulus
Dutch Baroque Era Painter, 1625-1654 Son of Pieter Potter. He was related through his mother, Aechtie Pouwels (d 1636), to the wealthy and powerful von Egmont and Semeyns families, who held important offices in Enkhuizen and at the court in The Hague. He worked in his father's studio in Amsterdam during the 1630s and, like him, painted history subjects that show the strong influence of Claes Moeyaert, with whom Paulus may also have studied. In the painting Abraham Returning from Canaan he adapted the landscape setting from an etching by Moses van Uyttenbroeck and the figures from works by Moeyaert from over ten years earlier. Significantly, however, he redistributed the numerous animals and figures that Moeyaert had aligned evenly across the frontal plane; Potter placed them to one side, permitting a view into the deep distance where other animals can be seen. Potter followed his father more than Moeyaert in searching for ways to integrate his figures with the landscape,